{"id":3528,"date":"2026-07-10T10:45:54","date_gmt":"2026-07-10T10:45:54","guid":{"rendered":"https:\/\/silvybrand.com\/?p=3528"},"modified":"2026-07-10T10:45:54","modified_gmt":"2026-07-10T10:45:54","slug":"a-new-experiential-gallery-just-might-change-your-mind-about-ai-art","status":"publish","type":"post","link":"https:\/\/silvybrand.com\/?p=3528","title":{"rendered":"A New Experiential Gallery Just Might Change Your Mind About AI Art"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<p><span class=\"lead-in-text-callout\">\u201cI think we<\/span> are literally in a renaissance,\u201d says the artist Refik Anadol, in a characteristically optimistic comment, when asked how he sees this moment in <a href=\"https:\/\/www.wired.com\/tag\/art\/\" class=\"text link\">art<\/a> history, with <a href=\"https:\/\/www.wired.com\/story\/art-history-photography-painting-dalle-ai\/\" class=\"text link\">artificial intelligence ascendant<\/a> yet controversial as a medium. \u201cWe just don\u2019t have a name for it yet.\u201d<\/p>\n<p class=\"paywall\">Anadol, known for technological installations that probe the relationship between humans and machines, has reason to be happy. On June 20, Dataland, the cutting-edge downtown Los Angeles gallery he cofounded with studio partner Efsun Erk\u0131l\u0131\u00e7, opened its doors to an eager public. Billed as the first \u201cmuseum of AI arts\u201d in the world, it welcomed more than 10,000 visitors to the opening exhibit in the first two weeks, Anadol tells WIRED.<\/p>\n<figure class=\"AssetEmbedWrapper-iJvQnD cOWUYC asset-embed\">\n<div class=\"AssetEmbedAssetContainer-fnduJP iaVSwI asset-embed__asset-container\"><span class=\"SpanWrapper-kFnjvc eKnjjD responsive-asset AssetEmbedResponsiveAsset-gaAbQ hXaxHA asset-embed__responsive-asset\"><picture class=\"ResponsiveImagePicture-jKunQM gjCCFj AssetEmbedResponsiveAsset-gaAbQ hXaxHA asset-embed__responsive-asset responsive-image\"><img decoding=\"async\" alt=\"A New Experiential Gallery Just Might Change Your Mind About AI Art\" loading=\"lazy\" class=\"ResponsiveImageContainer-dkeESL cQPiWi responsive-image__image\" srcset=\"https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_120,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 120w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_240,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 240w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_320,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 320w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_640,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 640w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_960,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 960w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_1280,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 1280w, https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_1600,c_limit\/Gallery%20A%20%E2%80%93%20Data%20Pavilion_01-resized.jpg 1600w\" sizes=\"100vw\" src=\"https:\/\/media.wired.com\/photos\/6a4fffe34ada0a99426a2f22\/master\/w_1600%2Cc_limit\/Gallery%2520A%2520%25E2%2580%2593%2520Data%2520Pavilion_01-resized.jpg\"\/><\/picture><\/span><\/div>\n<p><span class=\"BaseText-fEwdHD CaptionCredit-cUgOGk fSrqtv hRFzlA caption__credit\">Courtesy of Dataland<\/span><\/p>\n<\/figure>\n<p class=\"paywall\">The set piece is his most ambitious to date, an immersive architectural vision titled <a data-offer-url=\"https:\/\/dataland.art\/exhibitions\/machine-dreams-rainforest\" class=\"external-link text link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/dataland.art\/exhibitions\/machine-dreams-rainforest&quot;}\" href=\"https:\/\/dataland.art\/exhibitions\/machine-dreams-rainforest\" rel=\"nofollow noopener\" target=\"_blank\"><em>Machine Dreams: Rainforest<\/em><\/a>. Its interactive digital displays, directly responding to the visitors\u2019 movements and biometric data (tracked by wearable devices), produce ever-shifting images and soundscapes drawn from Anadol\u2019s Large Nature Model, an AI system built using natural science archives from prestigious research institutions like the Smithsonian.<\/p>\n<p class=\"paywall\">\u201cFor three years, we started from scratch and trained our own AI models, and we worked with our own data sets,\u201d Anadol says. He and his team traveled to the Amazon and other rainforests to capture raw material that would fuel the model\u2019s hallucinated versions of those environments. \u201cWe have 5 petabytes worth of raw data that we collected by ourselves,\u201d Anadol says. He\u2019s proud that Dataland made a point of sourcing this trove with the consent and participation of researchers, whereas Silicon Valley\u2019s major AI firms have faced backlash and lawsuits over what many creators say is unlicensed, extractive use of their content as training data.<\/p>\n<p class=\"paywall\">Anadol adds that Google DeepMind gave Dataland access to \u201cexperimental low-energy\u201d resources, allowing the gallery to <a data-offer-url=\"https:\/\/blog.google\/company-news\/outreach-and-initiatives\/arts-culture\/dataland-ai-art-museum\/\" class=\"external-link text link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/blog.google\/company-news\/outreach-and-initiatives\/arts-culture\/dataland-ai-art-museum\/&quot;}\" href=\"https:\/\/blog.google\/company-news\/outreach-and-initiatives\/arts-culture\/dataland-ai-art-museum\/\" rel=\"nofollow noopener\" target=\"_blank\">run on Google Cloud<\/a> and maintain \u201csustainable compute.\u201d (Anadol has collaborated with the tech giant since becoming the first person awarded the Google Artists and Machine Intelligence Artist Residency in 2016.)<\/p>\n<p class=\"paywall\">Ethics, environmental responsibility, and a wholehearted effort to produce what feels like a living, breathing ecosystem with artificial intelligence: These commitments are crucial if Anadol and Dataland want to redefine \u201cAI art.\u201d The very phrase is a nonstarter for many creatives and critics of the generative \u201cslop\u201d that has infested visual media at every level. Anadol is perfectly aware of people rejecting that stuff, and he hardly blames them. \u201cI mean, 100 percent, the majority is right,\u201d he says, noting that when someone hears about AI art, \u201ctheir first assumption is like, prompt engineering, or a bunch of eight-second clips.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.wired.com\/story\/a-new-experiential-gallery-just-might-change-your-mind-about-ai-art\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI think we are literally in a renaissance,\u201d says the artist Refik Anadol, in a characteristically optimistic comment, when asked how he sees this moment in art history, with artificial intelligence ascendant yet controversial as a medium. \u201cWe just don\u2019t have a name for it yet.\u201d Anadol, known for technological installations that probe the relationship [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[597,83,37,49,85,820,105],"class_list":["post-3528","post","type-post","status-publish","format-standard","has-post-thumbnail","category-gadgets","tag-art","tag-artificial-intelligence","tag-design","tag-environment","tag-machine-learning","tag-nature","tag-wearables"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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