{"id":4133,"date":"2026-07-21T00:50:46","date_gmt":"2026-07-21T00:50:46","guid":{"rendered":"https:\/\/silvybrand.com\/?p=4133"},"modified":"2026-07-21T00:50:46","modified_gmt":"2026-07-21T00:50:46","slug":"the-odyssey-imax-screenings-christopher-nolan","status":"publish","type":"post","link":"https:\/\/silvybrand.com\/?p=4133","title":{"rendered":"The Odyssey turned me into an IMAX believer"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">After seeing <a href=\"https:\/\/www.theverge.com\/entertainment\/849026\/the-trailer-for-christopher-nolans-the-odyssey-dropped-this-morning\">Christopher Nolan\u2019s <em>The Odyssey<\/em><\/a> for the first time early last week, I came away impressed, but somewhat conflicted about two of the film\u2019s more fantastical set pieces. While those scenes were beautifully crafted and tremendously acted, there was something a little bit off about the way they hit my eye. I spent days wondering what, exactly, wasn\u2019t quite working for me during that first theatrical viewing, and I thought that might have just been splitting hairs. But it wasn\u2019t until I saw the movie again over the weekend \u2014 this time in IMAX \u2014 that the issue became crystal clear.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">Though I\u2019d heard all of the buzz about <em>The Odyssey <\/em>being the first feature shot <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/nolan-odyssey-first-blockbuster-to-only-use-imax-camhttps:\/\/www.hollywoodreporter.com\/movies\/movie-news\/nolan-odyssey-first-blockbuster-to-only-use-imax-cameras-1236217925\/eras-1236217925\/\">entirely with 70mm film IMAX cameras<\/a>, I thought a lot of it was clever marketing hype meant to activate Nolan\u2019s cinephile fan base. I hadn\u2019t considered how watching the film in larger format would make for a markedly different viewing experience. But <em>The Odyssey <\/em>really is a movie that needs to be seen in IMAX if you want to get a true sense of the story Nolan is telling.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\"><em>Spoiler warning: This story contains spoilers for <\/em>The Odyssey<em> (which, to be fair, is an adaptation of Homer\u2019s almost 3,000-year-old epic poem).<\/em><\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">There are many scenes throughout <em>The Odyssey <\/em>that look perfectly fine when the film is displayed in the 35mm format. Majestic, wide shots of Odysseus (Matt Damon) and his men at sea make you appreciate the Mediterranean\u2019s expansiveness, and you can feel the soldiers\u2019 claustrophobic tension as they hide within the Trojan horse. Even though you can see that the film is cropped, Odysseus\u2019 disastrous encounter with the Laestrygonians gives you a sense of how gigantic they are compared to the wandering Ithacans. But <em>The Odyssey<\/em>\u2019s scenes involving some of the story\u2019s more gargantuan monsters take on a different gravity when they\u2019re displayed in IMAX because of how much more visual information there is to take in.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">When I saw <em>The Odyssey <\/em>in 35mm \u2014 which is projected in a widescreen, 2.39:1 aspect ratio \u2014 I knew that the Cyclops Polyphemus (Bill Irwin) towered over the humans who marched into his cave searching for food. But when I saw a standard IMAX screening of the film \u2014 whose 1.90:1 aspect ratio is smaller than the 70mm\u2019s 1.43:1 ratio \u2014 I had a much clearer understanding of the creature\u2019s stature and the subtle nuances baked into Irwin\u2019s physical performance. Because the IMAX screening projected a taller image, I was able to spend more time taking in details that were easy to miss the first time around, like the way Polyphemus has to hunch in order to keep his head from hitting the cave\u2019s ceiling.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">The substantive difference between the two screenings became exceedingly obvious once I saw the Cyclops chasing Odysseus and his men down a mountain for a second time. In 70mm, you can see more of the monster\u2019s upper body as it lumbers through trees in a fitful rage, which brings an added sense of danger and urgency to the chase scene. I had a similar experience seeing the soldiers rowing past a whirlpool not knowing that they were drifting directly into the sea monster Scylla\u2019s reach. The 35mm screening shows you that Scylla\u2019s humongous, but the IMAX screening\u2019s added real estate makes it easier to understand how she\u2019s able to snatch her victims up before any of them realize that she\u2019s lurking in the cliffs above them.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">By shooting <em>The Odyssey <\/em>completely in 70mm, Nolan crafted a film whose size and visual detail could make it feel immersive in ways that most modern features aren\u2019t. But he also chose a format that <a href=\"https:\/\/variety.com\/2026\/film\/news\/the-odyssey-fans-frenzy-imax-70mm-tickets-1236809522\/\">makes it difficult<\/a> for most theatergoers to see the movie in its most impressive form. Because there are <a href=\"https:\/\/www.theguardian.com\/film\/2026\/jul\/14\/christopher-nolan-fans-are-embarking-on-epic-journeys-to-see-the-odyssey-the-way-he-wants-them-to\">only about 40 theaters globally<\/a> (25 in the US) that are able to screen 70mm IMAX films, the vast majority of people will probably never get a chance to take <em>The Odyssey <\/em>in as Nolan intended. This and the fact that standard IMAX screenings are more expensive than standard movies have prompted some <a href=\"https:\/\/www.yahoo.com\/entertainment\/movies\/articles\/odyssey-imax-70mm-screenings-branded-180000083.html\">to accuse the director of being anti-art<\/a> and contributing to <a href=\"https:\/\/www.patreon.com\/MaxRead\/posts\/anti-imax-164065060\">the culture of obsessive format purism<\/a>.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">One could also argue that Nolan is using <em>The Odyssey <\/em>to show IMAX and theater owners that there is a genuine public demand for films shot in 70mm. The current shortage of 70mm screenings of <em>The Odyssey <\/em>is due to the fact that IMAX hasn\u2019t been able to produce new projectors. Speaking to <a href=\"https:\/\/variety.com\/2026\/film\/news\/why-no-more-imax-70mm-screens-the-odyssey-christopher-nolan-1236813019\/\"><em>Variety<\/em><\/a>, IMAX CEO Richard Gelfond explained that the company has largely been focused on retrofitting old projectors, but there aren\u2019t many movie exhibitors willing to take on the construction costs it would take to build the 1.43:1 screens necessary to display 70mm films. If IMAX and various theater chains were willing to pony up the cash for projector part development and venue expansion, 70mm screenings could become more common. But for the time being, the industry seems comfortable using the format\u2019s scarcity as an effective marketing tool.<\/p>\n<\/div>\n<div>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1044qizi _18mzr4b1 _18mzr4b0 _19wv7tc1\">That marketing strategy has worked for <em>The Odyssey<\/em> \u2014 a highly anticipated project from one of the world\u2019s most revered filmmakers. But Nolan\u2019s star power clearly has a <em>lot <\/em>to do with <a href=\"https:\/\/variety.com\/2026\/film\/box-office\/odyssey-box-office-christopher-nolan-1236816035\/\">the movie\u2019s box office success<\/a>. There aren\u2019t that many other directors who could get people <a href=\"https:\/\/www.nytimes.com\/2026\/07\/20\/movies\/odyssey-imax-70mm-theaters.html\">journeying across the country<\/a> just to see one of their features. It also helps that the movie is actually worth seeing, especially in IMAX.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.theverge.com\/entertainment\/968337\/the-odyssey-imax-screenings-christopher-nolan\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After seeing Christopher Nolan\u2019s The Odyssey for the first time early last week, I came away impressed, but somewhat conflicted about two of the film\u2019s more fantastical set pieces. While those scenes were beautifully crafted and tremendously acted, there was something a little bit off about the way they hit my eye. I spent days [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[145,64,65,126],"class_list":["post-4133","post","type-post","status-publish","format-standard","has-post-thumbnail","category-gadgets","tag-analysis","tag-entertainment","tag-film","tag-report"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Odyssey turned me into an IMAX believer - Silvybrand Lifestyle Blog<\/title>\n<meta name=\"description\" content=\"Christopher Nolan\u2019s take on The Odyssey is so much more powerful when seen in a larger film format.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/silvybrand.com\/?p=4133\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Odyssey turned me into an IMAX believer - 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