{"id":4385,"date":"2026-07-25T10:16:40","date_gmt":"2026-07-25T10:16:40","guid":{"rendered":"https:\/\/silvybrand.com\/?p=4385"},"modified":"2026-07-25T10:16:40","modified_gmt":"2026-07-25T10:16:40","slug":"the-odyssey-was-made-for-imax-70mm-good-luck-watching-it-that-way","status":"publish","type":"post","link":"https:\/\/silvybrand.com\/?p=4385","title":{"rendered":"\u2018The Odyssey\u2019 Was Made for Imax 70mm. Good Luck Watching It That Way"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div>\n<p><span class=\"lead-in-text-callout\">Christopher Nolan\u2019s <\/span><a href=\"https:\/\/www.wired.com\/story\/the-odysseys-success-is-inspiring-unprecedented-levels-of-cope\/\" class=\"text link\"><em>The Odyssey<\/em><\/a> in <a href=\"https:\/\/www.wired.com\/tag\/imax\/\" class=\"text link\">Imax<\/a> 70mm is the hottest club in town, if you can get in.<\/p>\n<p class=\"paywall\">While Nolan\u2019s adaptation of Homer\u2019s epic is available on thousands of screens around the world, there are only 41\u2014including 25 in the US\u2014that can offer it in full Imax 70mm glory. Many of those are sold out for weeks. Levels of FOMO are off the charts.<\/p>\n<p class=\"paywall\">That\u2019s partly because <a href=\"https:\/\/www.wired.com\/story\/the-odyssey-backlash-failed-tremendously\/\" class=\"text link\"><em>The Odyssey<\/em><\/a> is the first feature film shot entirely on Imax film with Imax cameras. For the uninitiated, the Imax film format takes an already large 65-mm film negative and runs it through the camera horizontally, resulting in an image 15 perforations wide compared to the standard 5 perf. When projected on a giant Imax screen, the resulting image, with a squarish aspect ratio of 1.43:1, is enormous and incredibly sharp, creating a far more immersive experience than standard cinema offerings. This is <em>real<\/em> Imax, according to fans of the format, which was first introduced in 1970.<\/p>\n<p class=\"paywall\">Imax, though, comes in a variety of flavors: digital formats in 2K and 4K resolutions, xenon and laser light configurations, on top of the classic 15\/70-mm. Outside of a select few, most digital Imax theaters crop the image to a wider 1.90:1 aspect ratio and project on screens a good deal smaller than a traditional Imax giant theater.<\/p>\n<p class=\"paywall\">\u201cThis all started in 2008 when Imax introduced its first digital system,\u201d says James Hyder, who managed the Smithsonian Air and Space Museum\u2019s Langley Imax theater in the \u201980s, and ran the giant-screen industry journal LF Examiner from 2008 to 2021. Imax did not respond to requests for comment.<\/p>\n<p class=\"paywall\">The company\u2019s foray into digital exhibition with a 2K-resolution dual-projector system was part of a long-planned shift. Executives wanted to expand beyond museums and science centers and into big theater chains, which didn\u2019t always have the screen real estate the traditional Imax experience demands.<\/p>\n<p class=\"paywall\">The result, though, has been notably different Imax experiences depending on what type of Imax theater you\u2019re in. Especially as major theater chains have invested in PLF (Premium Large Format) screens that rely on <a href=\"https:\/\/www.wired.com\/2014\/01\/dolby-display-4k\/\" class=\"text link\">Dolby Vision<\/a> or other systems, it\u2019s hard to know what you\u2019re going to get, or if Imax is even your best bet.<\/p>\n<p class=\"paywall\">Complicating things further for <em>The Odyssey<\/em> is that it\u2019s available in so many premium formats\u2014six, altogether\u2014that the film\u2019s official website includes a <a data-offer-url=\"https:\/\/www.odysseymovie.com\/explore-formats\/\" class=\"external-link text link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.odysseymovie.com\/explore-formats\/&quot;}\" href=\"https:\/\/www.odysseymovie.com\/explore-formats\/\" rel=\"nofollow noopener\" target=\"_blank\">guide<\/a> to their various strengths and aspect ratios. While it disambiguates between 70mm Imax and \u201cregular\u201d Imax, it doesn\u2019t capture the wide range of what those \u201cregular\u201d experiences can entail.<\/p>\n<p class=\"paywall\">\u201cIt&#8217;s a disservice to their customers, and it&#8217;s basically trading on a reputation for real giant screens that used to be what Imax stood for,\u201d Hyder says of the lack of clarity and consistency around how Imax is implemented.<\/p>\n<p class=\"paywall\">Recent years have seen a resurgence in shooting and projecting on film, with Imax 70mm in particular becoming the gold standard. Nolan\u2019s films regularly get Imax 70mm releases on the few screens that can accommodate it, but following the success of <em>Oppenheimer<\/em>, a string of releases, including <em>Dune: Part Two<\/em>, <em>Sinners<\/em>, <em>One Battle After Another<\/em>, and <em>Project Hail Mary<\/em>, have followed suit.<\/p>\n<p class=\"paywall\">While <em>The Odyssey<\/em> was shot in a 1.43:1 aspect ratio, its images were composed to function just as well when cropped to other ratios, all the way down to the very wide 2.39:1. It was intentionally shot to work across digital, 35-mm, and regular 5-perf\/70-mm, all overseen by the director and reflective of his intent. Eventually, it will also be available to buy on Blu-ray or stream online. It\u2019s not unlike the difference between seeing a print or digital image of the Mona Lisa\u2014which most people will in their lifetimes\u2014and actually being lucky enough to see it in person at the Louvre.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.wired.com\/story\/the-odyssey-was-made-for-imax-70mm-good-luck-watching-it-that-way\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christopher Nolan\u2019s The Odyssey in Imax 70mm is the hottest club in town, if you can get in. While Nolan\u2019s adaptation of Homer\u2019s epic is available on thousands of screens around the world, there are only 41\u2014including 25 in the US\u2014that can offer it in full Imax 70mm glory. Many of those are sold out [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[826,65,499,1044,392],"class_list":["post-4385","post","type-post","status-publish","format-standard","has-post-thumbnail","category-gadgets","tag-christopher-nolan","tag-film","tag-hollywood","tag-imax","tag-movies"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018The Odyssey\u2019 Was Made for Imax 70mm. 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